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This model
of the proposed plan for the theatre was originally created by
designer Linda Johnston, CLICK HERE to see a Full-Size Photo (NEWPLACE.jpg 67Kb) |
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At the completion of Phase Two construction, the rear wall of New Place would have had a permanent grid to which various modular sets could be attached. Michael R. Cook created this design for the initial New Place modular set, an Elizabethan stagehouse based on the latest research available through London's new Globe Theatre. The working doors and practical upper level would have allowed great flexibility and creativity in staging Shakespeare and other classical plays. |
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Dakin Matthews gave a few Antaeans an early tour of the warehouse section of the future New Place. | ||
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Terry Evans had his hands on the reins of the demolition phase, as the interior walls come tumbling down. |
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What was once three rooms was eventually one large room -- the next step was to be the removal of the pillars and installation of cantilevered beams to support the roof. Supporting wall were erected to begin the process -- making the space unusable except as a storage facility for the past three years. Now, the temporary walls will come down to permit the space to be used one final time under special permits to produce MOTHER COURAGE AND HER CHILDREN in the spring of 2005. | ||
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Computer rendering of the Phase Two plan for the interior, looking from the house right corner. The colors are fanciful, but the murals on the walls were to be a part of the overall plan. |
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Transforming this venerable commercial space into a thriving and vital theatrical performance, workshop and research center turned out to be more difficult than the landlord expected, but NewPlace provided a haven for The Antaeus Company for nearly a decade of exciting and challenging work. |
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